JOSEPH FORT NEWTON,
It began to shape itself to my intellectual
vision into something more imposing and majestic, solemnly mysterious and
grand. It seemed to me like the Pyramids in their loneliness, in whose yet
undiscovered chambers may be hidden, for the enlightenment of coming
generations, the sacred books of the Egyptians, so long lost to the world;
like the Sphynx half buried in the desert.
In its symbolism, which and its spirit of
brotherhood are its essence, Freemasonry is more ancient than any of the
world's living religions. It has the symbols and doctrines which, older than
himself, Zarathrustra inculcated; and it seemed to me a spectacle sublime, yet
pitiful--the ancient Faith of our ancestors holding out to the world its
symbols once so eloquent, and mutely and in vain asking for an interpreter.
And so I came at last to see that the true
greatness and majesty of Freemasonry consist in its proprietorship of these
and its other symbols; and that its symbolism is its soul.
--ALBERT PIKE, Letter to Gould
NEVER were truer words than those of Goethe in
the last lines of Faust, and they echo one of the oldest instincts of
humanity: "All things transitory but as symbols are sent." From the beginning
man has divined that the things open to his senses are more than mere facts,
having other and hidden meanings. The whole world was close to him as an
infinite parable, a mystical and prophetic scroll the lexicon of which he set
himself to find. Both he and his world were so made as to convey a sense of
doubleness, of high truth hinted in humble, nearby things. No smallest thing
but had its skyey aspect which, by his winged and quick-sighted fancy, he
sought to surprise and grasp.
Let us acknowledge that man was born a poet,
his mind a chamber of imagery, his world a gallery of art. Despite his utmost
efforts, he can in nowise strip his thought of the flowers and fruits that
cling to it, withered though they often are. As a fact, he has ever been a
citizen of two worlds, using the
scenery of the visible to make vivid the
realities of the world Unseen. What wonder, then, that trees grew in his
fancy, flowers bloomed in his faith, and the victory of spring over winter
gave him hope of life after death, while the march of the sun and the great
stars invited him to "thoughts that wander through eternity." Symbol was his
native tongue, his first form of speech--as, indeed, it is his last--whereby
he was able to say what else he could not have uttered. Such is the fact, and
even the language in which we state it is "a dictionary of faded metaphors,"
the fossil poetry of ages ago.
That picturesque and variegated maze of
the early symbolism of the race we cannot study in detail, tempting as it is.
Indeed, so luxuriant was that old picture-language that we may easily miss our
way and get lost in the labyrinth, unless we keep to the right path.
First of all, throughout
this study of prophecy let us keep ever in mind
a very simple and obvious fact, albeit not less wonderful because obvious.
Socrates made the discovery--perhaps the greatest ever made--that human nature
is universal. By his searching questions he found out that when men think
round a problem, and think deeply, they disclose a common nature and a common
system of truth. So there dawned upon him, from this fact, the truth of the
kinship of mankind and the unity of mind. His insight is confirmed many times
over, whether we study the earliest gropings of the human mind or set the
teachings of the sages side by side. Always we find, after comparison, that
the final conclusions of the wisest minds as to the meaning of life and the
world are harmonious, if not identical.
Here is the clue to the striking resemblances
between the faiths and philosophies of widely separated peoples, and it makes
them intelligible while adding to their picturesqueness and philosophic
interest. By the same token, we begin to understand why the same signs,
symbols, and emblems were used by all peoples to express their earliest
thought. We need not infer that one people
learned them from another, or that there existed a mystic, universal order
which had them in keeping. They simply betray the unity of the human mind, and
show how and why, at the same stage of culture, races far removed from each
other came to the same conclusions and used much the same symbols to body
forth their thought. Illustrations are innumerable, of which a few may be
named as examples of this unity both of idea and of emblem, and also as
confirming the insight of the great Greek that, however shallow minds may
differ, in the end all seekers after truth follow a common path, comrades in
one great quest.
An example in point, as ancient as it is
eloquent, is the idea of the trinity and its emblem, the triangle. What the
human thought of God is depends on what power of the mind or aspect of life
man uses as a lens through which to look into the mystery of things. Conceived
of as the will of the world, God is one, and we have the monotheism of Moses.
Seen through instinct and the kaleidoscope of the senses, God is multiple, and
the result is polytheism and its gods without number. For the reason, God is a
dualism made up of matter and mind, as in the faith of Zoroaster and many
other cults. But when the social life of man becomes the prism
of faith, God is a trinity of Father, Mother,
Child. Almost as old as human thought, we find the idea of the trinity and its
triangle emblem everywhere--Siva, Vishnu, and Brahma in India corresponding to
Osiris, Isis, and Horus in Egypt. No doubt this idea underlay the old pyramid
emblem, at each corner of which stood one of the gods. No missionary carried
this profound truth over the earth. It grew out of a natural and universal
human experience, and is explained by the fact of the unity of the human mind
and its vision of God through the family.
Other emblems take us back into an antiquity so
remote that we seem to be walking in the shadow of prehistoric time. Of these,
the mysterious Swastika is perhaps the oldest, as it is certainly the most
widely distributed over the earth. As much a talisman as a symbol, it has been
found on Chaldean bricks, among the ruins of the city of Troy, in Egypt, on
vases of ancient Cyprus, on Hittite remains and the pottery of the Etruscans,
in the cave temples of India, on Roman altars and Runic monuments in Britain,
in Thibet, China, and Korea, in Mexico, Peru, and among the prehistoric
burial-grounds of North America. There have been many interpretations of it.
Perhaps the meaning, most usually assigned to it is that of the Sanskrit
word having in its roots an intimation of
the beneficence of life, to be and well. As such, it is a sign
indicating "that the maze of life may bewilder, but a path of light runs
through it: It is well is the name of the path, and the key to life
eternal is in the strange labyrinth for those whom God leadeth."
Others hold it to have been an emblem of the Pole Star whose stability in the
sky, and the procession of the Ursa Major around it, so impressed the ancient
world. Men saw the sun journeying across the heavens every day in a slightly
different track, then standing still, as it were, at the solstice, and then
returning on its way back. They saw the moon changing not only its orbit, but
its size and shape and time of appearing. Only the Pole Star remained fixed
and stable, and it became, not unnaturally, a light of assurance and the
footstool of the Most High. Whatever its meaning, the
Swastika shows us the efforts of the early man to read the riddle of things,
and his intuition of a love at the heart of life.
Akin to the Swastika, if not an evolution from
it, was the Cross, made forever holy by the highest
heroism of Love. When man climbed up out
of the primeval night, with his face to heaven upturned, he had a cross in his
hand. Where he got it, why he held it, and what he meant by it, no one can
conjecture much less affirm. 1
Itself a paradox, its arms pointing to the four quarters of the earth, it is
found in almost every part of the world carved on coins, altars, and tombs,
and furnishing a design for temple architecture in Mexico and Peru, in the
pagodas of India, not less than in the churches of Christ. Ages before our
era, even from the remote time of the cliff-dweller, the Cross seems to have
been a symbol of life, though for what reason no one knows. More often it was
an emblem of eternal life, especially when inclosed within a Circle which ends
not, nor begins--the type of Eternity. Hence the Ank Cross or Crux Ansata of
Egypt, scepter of the Lord of the Dead that never die. There is less mystery
about the Circle, which was an image of the disk of the Sun and a natural
symbol of completeness, of eternity. With a point within the center it became,
as naturally, the emblem of the Eye of the World--that All-seeing eye of the
eternal Watcher of the human scene.
Square, triangle, cross, circle--oldest symbols
of humanity, all of them eloquent, each of them
pointing beyond itself, as symbols always do,
while giving form to the invisible truth which they invoke and seek to embody.
They are beautiful if we have eyes to see, serving not merely as chance
figures of fancy, but as forms of reality as it revealed itself to the mind of
man. Sometimes we find them united, the Square within the Circle, and within
that the Triangle, and at the center the Cross. Earliest of emblems, they show
us hints and foregleams of the highest faith and philosophy, betraying not
only the unity of the human mind but its kinship with the Eternal--the fact
which lies at the root of every religion, and is the basis of each. Upon this
Faith man builded, finding a rock beneath, refusing to think of Death as the
gigantic coffin-lid of a dull and mindless universe descending upon him at
From this brief outlook upon a wide field, we
may pass to a more specific and detailed study of the early prophecies of
Masonry in the art of the builder. Always the symbolic must follow the actual,
if it is to have reference and meaning, and the real is ever the basis of the
ideal. By nature an Idealist, and living in a world of radiant mystery, it was
inevitable that man should attach moral and spiritual meanings to the tools,
laws, and materials
of building. Even so, in almost every
land and in the remotest ages we find great and beautiful truth hovering about
the builder and clinging to his tools. Whether there
were organized orders of builders in the early times no one can tell, though
there may have been. No matter; man mixed thought and worship with his work,
and as he cut his altar stones and fitted them together he thought out a faith
by which to live.
Not unnaturally, in times when the earth was
thought to be a Square the Cube had emblematical meanings it could hardly have
for us. From earliest ages it was a venerated symbol, and the oblong cube
signified immensity of space from the base of earth to the zenith of the
heavens. It was a sacred emblem of the Lydian Kubele, known to the Romans in
after ages as Ceres or Cybele--hence, as some
aver, the derivation of the word "cube."
At first rough stones were most sacred, and an altar of hewn stones was
With the advent of the cut cube, the temple became known as the House of the
Hammer--its altar, always in the center, being in the form of a cube and
regarded as "an index or emblem of Truth, ever true to itself."
Indeed, the cube, as Plutarch points out in his essay On the Cessation of
Oracles, "is palpably the proper emblem of rest, on account of the
security and firmness of the superficies." He further tells us that the
pyramid is an image of the triangular flame ascending from a square altar; and
since no one knows, his guess is as good as any. At any rate, Mercury, Apollo,
Neptune, and Hercules were worshiped under the form of a square stone, while a
large black stone was the emblem of Buddha among the Hindoos, of Manah Theus-Ceres
in Arabia, and of Odin in Scandinavia. Everyone knows of the Stone of Memnon
in Egypt, which was said to speak at sun-rise--as, in truth, all stones spoke
to man in the sunrise of time.
More eloquent, if possible, was the Pillar
uplifted, like the pillars of the gods upholding the heavens. Whatever may
have been the origin of pillars, and
there is more than one theory, Evans has
shown that they were everywhere worshiped as gods.
Indeed, the gods themselves were pillars of Light and Power, as in Egypt Horus
and Sut were the twin-builders and supporters of heaven; and Bacchus among the
Thebans. At the entrance of the temple of Amenta, at the door of the house of
Ptah--as, later, in the porch of the temple of Solomon--stood two pillars.
Still further back, in the old solar myths, at the gateway of eternity stood
two pillars--Strength and Wisdom. In India, and among the Mayas and Incas,
there were three pillars at the portals of the earthly and skyey
temple--Wisdom, Strength, and Beauty. When man set up a pillar, he became a
fellow-worker with Him whom the old sages of China used to call "the first
Builder." Also, pillars were set up to mark the holy places of vision and
Divine deliverance, as when Jacob erected a pillar at Bethel, Joshua at Gilgal,
and Samuel at Mizpeh and Shen. Always they were symbols of stability, of what
the Egyptians described as "the place of establishing forever,"--emblems of
the faith "that the pillars of the earth are the Lord's, and He hath set the
world upon them."
Long before our era we find the working tools
of the Mason used as emblems of the very truths which they teach today. In the
oldest classic of China,
The Book of History, dating back to the twentieth century before
Christ, we read the instruction: "Ye officers of the Government, apply the
compasses." Even if we begin where The Book of History ends, we find
many such allusions more than seven hundred years before the Christian era.
For example, in the famous canonical work, called The Great Learning,
which has been referred to the fifth century B. C., we read, that a man should
abstain from doing unto others what he would not they should do to him; "and
this," the writer adds, "is called the principle of acting on the square." So
also Confucius and his great follower, Mencius. In the writings of Mencius it
is taught that men should apply the square and compasses morally to their
lives, and the level and the marking line besides, if they would walk in the
straight and even paths of wisdom, and keep themselves within the bounds of
honor and virtue. In the sixth book of his philosophy
we find these words:
A Master Mason, in teaching apprentices,
makes use of the compasses and the square. Ye who are engaged in the pursuit
of wisdom must also make use of the compass and square.
There are even evidences, in the earliest
records of China, of the existence of a
system of faith expressed in allegoric form, and illustrated by the symbols of
building. The secrets of this faith seem to have been orally transmitted, the
leaders alone pretending to have full knowledge of them. Oddly enough, it
seems to have gathered about a symbolical temple put up in the desert, that
the various officers of the faith were distinguished by symbolic jewels, and
that at its rites they wore leather aprons. From such
records as we have it is not possible to say whether the builders themselves
used their tools as emblems, or whether it was the thinkers who first used
them to teach moral truths. In any case, they were understood; and the point
here is that, thus early, the tools of the builder were teachers of wise and
good and beautiful truth. Indeed, we need not go outside the Bible to find
both the materials and working tools of the Mason so employed:
For every house is builded by some man; but
the builder of all things is God . . . whose house we are.
Behold, I lay in Zion for a foundation
a tried stone, a precious corner-stone, a sure foundation.
The stone which the builders
rejected is become the head of the corner.
Ye also, as living stones, are
built up into a spiritual house.
When he established the heavens
I was there, when he set the compass upon the face of the deep, when he
marked out the foundations of the earth: then was I by him as a master
The Lord stood upon a wall made
by a plumbline, with a plumbline in his hand. And the Lord said unto me,
Amos, what seest thou? And I said, A plumbline. Then said the Lord, Behold,
I will set a plumbline in the midst of my people Israel: I will not again
pass by them any more.
Ye shall offer the holy oblation
foursquare, with the possession of the city.
And the city lieth foursquare,
and the length is as large as the breadth.
Him that overcometh I will make
a pillar in the temple of my God; and I will write upon him my new name.
For we know that when our
earthly house of this tabernacle is dissolved, we have a building of God, an
house not made with hands, eternal in the heavens.
If further proof were needed, it has been
preserved for us in the imperishable stones of Egypt.
The famous obelisk, known as Cleopatra's Needle, now in Central Park, New
York, the gift to our nation from Ismail, Khedive of Egypt in 1878, is a mute
but eloquent witness of the antiquity of the simple symbols of the Mason.
Originally it stood as one of the forest of obelisks surrounding the great
temple of the Sun-god at Heliopolis, so long a seat of Egyptian learning and
religion, dating back, it is thought, to the fifteenth century before Christ.
It was removed to Alexandria and re-erected by a Roman architect and engineer
named Pontius, B. C. 22. When it was taken down in 1879 to be brought to
America, all the emblems of the builders were found in the foundation. The
rough Cube and the polished Cube in pure white limestone, the Square cut in
syenite, an iron Trowel, a lead Plummet, the arc of a Circle, the
serpent-symbols of Wisdom, a stone Trestle-board, a stone bearing the Master's
Mark, and a hieroglyphic word meaning Temple--all so placed and
preserved as to show, beyond doubt, that they had high symbolic meaning.
Whether they were in the original foundation, or were placed there when
the obelisk was removed, no one can tell. Nevertheless, they were there,
concrete witnesses of the fact that the builders worked in the light of a
mystical faith, of which they were emblems.
Much has been written of buildings, their
origin, age, and architecture, but of the builders hardly a word--so quickly
is the worker forgotten, save as he lives in his work. Though we have no
records other than these emblems, it is an obvious inference that there were
orders of builders even in those early ages, to whom these symbols were
sacred; and this inference is the more plausible when we remember the
importance of the builder both to religion and the state. What though the
builders have fallen into dust, to which all things mortal decline, they still
hold out their symbols for us to read, speaking their thoughts in a language
easy to understand. Across the piled-up debris of ages they whisper the old
familiar truths, and it will be a part of this study to trace those symbols
through the centuries, showing that they have always had the same high
meanings. They bear witness not only to the unity of the human mind, but to
the existence of a common system of truth veiled in allegory and taught in
symbols. As such, they are prophecies of Masonry as
we know it, whose genius it is to take what is
old, simple, and universal, and use it to bring men together and make them
Shore calls to shore
That the line is unbroken!
There are many books in this field, but two may be named:
The Lost Language of Symbolism, by Bayley, and the Signs and Symbols of
Primordial Man, by Churchward, each in its own way remarkable. The first
aspires to be for this field what Frazer's Golden Bough is for
religious anthropology, and its dictum is: "Beauty is Truth; Truth Beauty."
The thesis of the second is that Masonry is founded upon Egyptian eschatology,
which may be true; but unfortunately the book is too polemical. Both books par
take of the poetry, if not the confusion, of the subject; but not for
a world of dust would one clip their wings of fancy and suggestion. Indeed,
their union of scholarship and poetry is unique. When the pains of erudition
fail to track a fact to its lair, they do not scruple to use the divining rod;
and the result often passes out of the realm of pedestrian chronicle into the
world of winged literature.
24:1 The Word
in the Pattern, Mrs. G. F. Watts.
Swastika, Thomas Carr. See essay by the same writer in which he shows that
the Swastika is the symbol of the Supreme Architect of the Universe among
Operative Masons today (The Lodge of Research, No. 2429, Transactions,
25:1 Signs and
Symbols, Churchward, chap. xvii.
27:1 Here again
the literature is voluminous, but not entirely satisfactory. A most
interesting book is Signs and Symbols of Primordial Man, by Churchward,
in that it surveys the symbolism of the race always with reference to its
Masonic suggestion. Vivid and popular is Symbols and Legends of Freemasonry,
by Finlayson, but he often strains facts in order to stretch them over wide
gaps of time. Dr. Mackey's Symbolism of Freemasonry, though written
more than sixty years ago, remains a classic of the order. Unfortunately the
lectures of Albert Pike on Symbolism are not accessible to the general
reader, for they are rich mines of insight and scholarship, albeit betraying
his partisanship of the Indo-Aryan race. Many .minor books might be named, but
we need a work brought up to date and written in the light of recent research.
28:1 Exod. 20:25.
Antiquities of Cornwall, Borlase.
Language of Symbolism, Bayley, chap. xviii; also in the Bible, Deut.
32:18, II Sam. 22:3, 32, Psa. 28:1, Matt. 16:18,
I Cor. 10:4.
29:1 Tree and
Pillar Cult, Sir Arthur Evans.
29:2 I Sam. 2:8,
Psa. 75:8, Job 26:7, Rev. 3:12.
Freemasonry in China, Giles. Also Gould, His. Masonry, vol. i,
Classics, by Legge, i, 219-45.
31:1 Essay by
Chaloner Alabaster, Ars Quatuor Coronatorum, vol. ii, 121-24. It is not
too much to say that the Transactions of this Lodge of Research are the
richest storehouse of Masonic lore in the world.
31:2 Matt. 16:18,
Eph. 2:20-22, I Cor. 2:9-17. Woman is the house and wall of man, without whose
bounding and redeeming influence he would be dissipated and lost (Song of
Solomon 8:10). So also by the mystics (The Perfect Way).
31:3 Heb. 3:4.
32:1 Isa. 28:16.
32:2 Psa. 118:22,
32:3 I Pet. 2:5.
8:27-30, Revised Version.
32:7 Rev. 21:16.
32:8 Rev. 3:12.
32:9 II Cor. 5:1.
Obelisks, H. H. Gorringe. The obelisk in Central Park, the expenses for
removing which were paid by W. H. Vanderbilt, was examined by the Grand Lodge
of New York, and its emblems pronounced to be unmistakably Masonic. This book
gives full account of all obelisks brought to Europe from Egypt, their
measurements, inscriptions, and transportation.
Next: Chapter III. The Drama of Faith